Exhibition: From Contemporary to Corporate

Ferry Lights in the foyer of IBM's Head Office, Southbank. London, UK

Ferry Lights in the foyer of IBM's Head Office, Southbank. London, UK

I am very proud that an interactive sculpture I made, in collaboration with IBM’s CTO for UK and N.Ireland, Andy Stanford Clark,   has gone on display in the Head Office of IBM, Southbank, London. Not the usual audience for my work but one I am very happy about. The work had been commissioned and exhibited in a contemporary art gallery, Quay Arts on the Isle of Wight before it was installed at IBM on Wednesday. Quay Arts in conjunction with Arts Council England ran a series called Hidden Heroes on the Isle of Wight and Andy was one of the Islands heroes they decided to represent. The work not only shows a little of the technology that Andy’s has invented (he has invented a lot!) but also reflects themes within my work. Much of my work involves the public, whereby I  encourage the viewer to participate and interact with the work. There is a sense of community and connectedness about it.  Ferry Lights shows the position of the ferries as they traverse the Solent in real-time, mapping out their location with LEDs,  as they make their journeys between the mainland and the Isle of Wight where Andy Stanford-Clark lives.

To extend the theme of connectedness and community, we decided that the LEDs around the circumference of the sculpture were to be connected to Cheerlights, an Internet of Things project created by Hans Scharler, By tweeting “#cheerlights red (or whatever colour you like) your tweet changes the colour of the LED’s thus changing the colour of the sculpture. But as Cheerlights is a connected community, not only does your tweet change the colour of Ferry Lights but it also changes the colour of Cheerlights all over the world. There is something very exciting, empowering perhaps about standing in front of a sculpture and not just being able to change its state with one written instruction but knowing that hundreds of other lights in the world have changed state too, thus connecting physical things with a shared social networking experience. I must say I am also enjoying the fact that people outside the gallery setting, and/or the corporate environment, have some say over what colour the sculpture on the wall is going to be. At IBM’s Head Office today someone outside of the corporate setting is going to decide on what colour the sculpture on the wall outside the Franklin meeting room is going to be.   There is something joyful about being able to change the colours on the wall and affect the environment in a space you are not physically in and ‘interacting’ with people you have never met –perhaps someone’s day might be slightly nicer if the sculpture switched to blue, - their favourite colour.




The work is progressing to make an interactive sculpture as part of Hidden Heroes on the Isle of Wight, an exhibition showing the hidden heroes on the Isle of Wight. I have been giving a lot of consideration to what it is I am going to make and why.

Aesthetic considerations
To know about the work Andy is famous for is shaping how this project is developing. On the island he is most renowned for his real-time mapping of the ferries as they cross the Solent. By intercepting the signal they give out (perfectly legal to do this by the way) and then mapping it geographically on a screen people see where the ferries are at any given time.  He is also interested in connected communities.

The aim of the sculpture is to replecate his ferry tracking in some kind of 3-D structure.  and I so I am playing around with the use of infinity mirrors at the moment. The look and feel of them with the reflective nature of the mirror will reflect the notion of water. The depth offered by the infinity mirror offers is also a comment on how technology has no end - that no one knows where it might end.

The photos show the prototype that I have made. I am trying to see if I can place leds behind cutouts in acrylic to show the progression of ferries as they travel across the Solent. Of course it is a colloboration and so I will not be doing the technical aspect of the sculpture, that is the job of Andy. The lights you see around the edge will be connected to CheerLights a way of connecting people across the world through  IOT. 

Commission to make an interactive sculpture


I am pleased to announce that I have been commissioned to make a piece of art for  Quay Arts, a contemporary art gallery on the Isle of Wight as part of the “Isle of Wight Hidden Heroes” project. The brief is to express Andy Stanford-Clarke’s status as being on the cutting edge of technology. One of Stanford-Clarke’s many contributions in his field is his real-time mapping of the ferries crossing the Solent. He is also a great advocate of the worldwide phenomenon, CheerLights so the piece will most probably incorporate both these elements.

CheerLights is an “Internet of Things” project created by Hans Scharler that allows people’s lights all across the world to synchronize to one colour set by Twitter. It is a way to connect physical things to a  social networking experiences. For example, by sending the following tweet from a twitter account “@CheerLights,  red”  the tweet  will cause a chain reaction and all of the lights across the world that have signed upto CheerLights will turn that colour. Until the next time some send a tweet to CheerLights requesting a different colour that is and then all the lights will change again.


Private view photos - "Bad News"



It was a great night, A huge thank you to Newspeak House for allowing us to have their amazing space as a venue and thank you to Eva Pascoe, at Cybersalon not only did they host a great speaker event afterwards which brought in a huge crowd for us,  but they also paid for all the wine which was a super lovely and much appreciated gesture.

Private view

Private view

Trying new exhibtion layouts of work


I have been looking into alternative ways to show Trump and it was suggested to me by my MA in Fine Art tutors that I show the making of him. I turned up to a crit having failed to make all 280 of him with him in zip lock see though bags. Each bad denoted how far he had gone in the process of being made. He has half dressed in some and missing eyebrows in the next. He looked ridiculous. He looked like some bit a merchandising, the whole set up demeaned him in some way. It was suggested to me that I exhibit him like that. So I did.  I must say I was deeply upset thought because people were stealing him from the table, not appreciative of the fact he was part of an art installation and not some free hand out gift from the convention. There were too few invilgilators too which did not help with security issues. I even had one woman (I was told this) sit and make eighteen of him at my workstation thinking she was helping. She did indeed make them very well, they are quite fiddly to make, but she did indeed make them incorrectly. 

I will know for next time but I did enjoy exhibiting him in this way.


#DicktatorDon at FiLiArts 2017