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However, like all works of art, the interpretation now rests with the viewer and I am forever fascinated that works of art have a life of their own once they leave my studio, that their meaning is determined by the viewer, albeit, influenced by the setting it is shown in; a gallery, woodland or a cathedral. Feedback has ranged from upset that I might be suggesting that the Cathedral, or perhaps religion in general, is hostile, which of course it has been to some (all religions that is, not necessarily this Cathedral). Another response is that it is symbolic of the hostility found in the world, but that is also carries hope, for, in Christianity the world might find healing and peace. Others have not seen it within the context of religion, despite its setting, seeing it as beautiful, and bird-like, denoting a degree of fragility because of its spikiness, shocked that the beauty is comprised of something that is so unwelcoming, as pigeon spikes. Others have identified and defended its spikey nature, stating it is just protecting itself. And of course, because of its Cathedral setting, many have made a connection to Christ’s, Crown of Thorns, which in a non- Christian location the work may not carry that as a reference. It is also lit with UV light from above, offering up further layers of meaning to the work. Purple light is associated with Archangel Zadkiel, the angel of mercy, encouraging us to forgive those who have hurt us.
Exhibition ran from: Saturday 30 July to Sunday 28 August 2022, Wells Cathedral, Wells, UK.